New investigations reveal insights into Urnes style at Bjølstad Chapel in Heidal, Norway

Recent investigations of wooden elements at Bjølstad Chapel in Heidal, Gudbrandsdalen, have provided new insights into the Urnes style, a Norse artistic tradition. Samples taken from two portal pillars of the church indicate they originate from different periods; the older one dates back to around 1014, while the younger was likely carved in the late 1200s. This suggests that the Urnes style may have been in use longer than previously believed.

Hanna Geiran, the National Heritage Director, noted the significance of these findings, expressing that they could require a re-evaluation of Norwegian history. The ongoing research raises many unanswered questions, prompting further exploration of this area.

The portal pillars, crafted in the Urnes style and part of one of Norway’s oldest known wooden constructions, are notable for their characteristic animal motifs. Initially thought to have died out by the 1100s, evidence now indicates that the style persisted longer. The findings suggest the oldest portal, located to the right of the entrance, came from a tree that began growing around 880 and was cut in 1014. In contrast, the second pillar, dated to the late 1200s, raises more questions: Was it a copy of the first? Why carve in an outdated style?

The research team utilized dendrochronology and radiocarbon dating techniques to draw their conclusions, but they stress that the dating remains a puzzle. While the Urnes portal from earlier periods is recognized as among the oldest in Norway, the Heidal portal may hold more unknown mysteries. The investigations have sparked greater curiosity about the history of carpentry and artistry in Norway, and the heritage authorities are hopeful for more discoveries that could reshape historical narratives.